Indian Telugu film hit “RRR” (short for “Rise Roar Revolt”) is back in US theaters for a special one-night only event on June 1 after the release of its first film. A little retrospection makes it easy to tell why writer/director SS Rajamouli managed to tap into Western audiences with “RRR” despite its continued box office success.
Rajamouli’s latest is an anti-colonial epic and a friendship drama about the ideological fusion of two real-life freedom fighters, Komaram Bheem (NT Rama Rao Jr.) and Alluri Sitarama Raju (Ram Charan). “RRR” is also a great showcase for Rajamouli’s signature emphasis on over-the-top music, grand stunts and pyrotechnics, and sophisticated computer graphics.
By the time he made “RRR”, Rajamouli had already established his own national legend with the help of frequent collaborators like regular scriptwriter (and grandfather) Vijayendra Prasad and the two leaders, who played in “Yamadonga”. ” by Rajamouli. and “Magadheera”, respectively.
In SS Rajamouli’s new epic action adventure, an incredible story leads to an incredible monster. Yes, the film shines in terms of numbers and aspirations, but it is a riot that makes the unwritten story of tribal resistance against the British Raj and other military exploiters unstoppable. to do well.
Everything in this saga of hyper-heroism is written in all CAPS, leaving no room for small twists and punctuation that can add depth to the story of two titans fighting against the odds.
The difference in human struggle, the strength of these undivided communities, and any meaningful details of time, place and characters are beyond what RRR knows because the film intends to use a great fantasy and to tell the stories of real battles fought by good people. down one hundred years ago.
RRR is not lacking in visual representation of male disability, which does not bring anything new to the film. Ram Charan and NTR Jr threw all their starry weight behind the effort and “man” in front of a number of film tents (including one with two actors dancing in tandem with a man of interest a deserted man). However, what goes on and follows the “up” these packages are often difficult to swallow.
The film falls flat because it doesn’t stop breathing and doesn’t give anything to the two leading men who seem like recognizable human characters, even though they talk endless about love and desire.
One represents fire, the other water – this is said in the long introduction – but the dominant element is blood. Most of it has been demolished, but our two heroes are mortal heroes. They are resisting the atrocities that are being done to them and their people.
One of them, Ram Charan as a tough police officer during British A. Rama Raju charged a thousand people with anger when stones were thrown at his leaders. A section of the crowd surrounds him and beats him up but he emerges from the melee almost in one piece, save for a bruise here and a sprained nerve there.
The other actor, the simple and sensible Gond Tribal Kumram Bheem, is NT Rama Rao Jr. The man killed the tiger with his own hands. The event he did, he apologized to the dead animal for killing him for the greater good. Don’t ask what “better” is, or at least not during the movie.
Rama Raju, on the other hand, is a forest-dweller and a nobleman who zealously serves the Empire. He also has an infinitely better reason than he seems to be fighting at first glance – he is preparing for a promotion because of his efficiency in destroying “brown waste”.
Rama Raju’s back story, which was shown in the first half of the Punisher feature, featured Ajay Devgn in a cameo. Another hero’s journey is revealed in the main three-hour film – the wife of a British policeman kidnaps a tribal girl and the man promises to free her from war.
British power is represented in RRR by the brutal Governor Scott Buxton (Ray Stevenson) and his evil wife (Alison Doody). They have no humanity – they treat Indians like animals but themselves are worse than animals. The film misses every opportunity to rub shoulders with this. Depicting subtleties and psychological misunderstandings is not Rajamouli’s forte, certainly not in this film.
RRR’s take-no-prisoners style and material is for fans of Rajamouli’s cinema. In fact, they will benefit greatly from well-crafted and calculated actions with high emotions. However, this viewer has no patience for a movie that believes that the hero is not worthy of a moment or two of silence or reflection in the movie theater.
When will men in Indian Action movies – or any movie, for that matter – go back to walking like normal people and not flying like birds, leaping like lions? beat like a monkey?
The writer-director is known for his passion for fantasy and fiction including both in his views on the lives of two revolutionaries who resisted injustice in the first half of the 20th century and what is now ‘Andhra Pradesh and Telangana. . In doing so, he takes the breath away from the story he loves so much.
RRR supports the struggle of the forest dwellers and tribals and uses it as a backdrop for a powerful blitzkrieg of SFX that highlights every possibility of a truly compassionate story of resistance and rebellion of the oppressed.
The song won Best Original Song at the 95th Academy Awards, beating legendary singers like Lady Gaga and Rihanna.
His long driving and musical performances have attracted audiences around the world. India won its second Oscar for The Elephant Whisperers, which won the Short Documentary category.
The film, which tells the story of a couple who take care of an injured baby elephant after being separated from its herd, is the first Indian production to win in this category. Filmed in the Nilgiri Mountains of southern India, The Elephant Whisperers explores the warm bonds that develop between humans and animals as they begin to live together.
However, India’s greatest triumph remained Naatu Naatu (a Telugu word that means strong or strong) – a great song that made people around the world dance. The song had already made history in January when it won the Golden Globe for Best Original Song – a first for India. That same month, it also won the Critics’ Choice Award for Best Song. After receiving the Oscar, composer M. M. Keeravani said that the song was “the pride of every Indian”.
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